All posts by thefcbagpiper

The mission of the Bagpiper is to provide an open forum for the unrestricted exchange of ideas and opinions and to ethically report factual school, local, and world news to the high school community while objectively explaining the meaning and significance of the news to better educate the reader, and entertain the readers using acceptable journalistic devices.

Five things to do or watch over Fall Break

Photo by Kate Zuverink

Story by J.D. McKay

Fall break is finally here, and as is customary, I will be writing my column telling all of my readers what I will be watching and what they should be watching too. Some of them will be local high school sports. Others will be on TV. But, regardless, they will be events I will be watching and that I expect to be interesting. 

  1. Football vs Bedford Oct. 11

This is Senior Night and a game that is starting to become a rivalry game. It is usually very close and often has a few side stories that go along with it (just ask head coach James Bragg). However, it always makes for interesting football and typically keeps fans on the edge of their seats during a close game. Plus, it is Senior Night, so come support some seniors. 

  1. Volleyball vs Jeff Oct. 3

If I am going to write this honestly — I cannot say that volleyball has had a terrific year. However, they are very young this year. They have also shown a lot of potential during most matches. They led at times and played very well against Providence, a top 25 team in the nation. If they can play like that again, a home game against Jeff should be our first big rivalry win of the season. 

  1. Girls’ soccer sectionals Oct. 8, 10, 12

This girls’ soccer team is very talented. Earlier this year, they won the Hoosier Cup tournament. They have also already defeated New Albany and Providence, so their talent is clearly showing itself on the field. Girls’ soccer sectionals have almost become a tradition at FC, and winning this year would give the seniors their fourth straight sectional championship.

  1. Virginia versus Notre Dame football Sept. 28

Here is the first non-local sporting event. However, I expect there are plenty of Notre Dame fans reading this because Notre Dame fans are everywhere. Notre Dame is very good and played one of the best teams in the country, Georgia, to a six-point loss. Virginia is ranked 18, so I expect the Irish to finally get a top 25 victory this week. 

  1. Colts versus Chiefs Oct. 6

This should be a very good football game. The Colts have been one of the best teams in the NFL, even without Andrew Luck. The Chiefs also have Patrick Mahomes, potential the best QB in the NFL. If the Colts defense shows out, they should get a tough win on the road. The Colts will definitely be looking to get their hands on the Chiefs again after being knocked out of the playoffs by them last year.

Fear Inoculum Makes the Pieces Fit Again

By Daniel Anderson

For so long, it seemed like a distant dream. Yet, here we are.

Right from the start, the L.A-based band Tool stood as a complete anomaly. In a time where nearly every metal act being spun about on MTV was fusing the genre with an alternative radio-rock sound or even, heaven forbid, hip-hop elements, Tool practically tossed conformity out of the window.

Throughout the mid 90s to the 2000s, they gained notoriety for releasing songs with ambitious, complex structures, ever-shifting time signatures and numerous instrumental switch-ups and passages—all while still having a knack for keeping it all relatively accessible.

Combine that with their abstract and hypnotizing artwork and animated music videos (courtesy of guitarist Adam Jones and artist Alex Grey), and you have the most unlikely combination for success. Though brief in number, Tool’s practically untainted discography has been celebrated to a point that most bands, let alone progressive and alternative metal bands, can only dream of.

With millions of albums sold and accolades from MTV Music Video Awards and Grammy nods galore, it seemed as if time would forever be on this band’s side. Or so we all thought.

After the release of their last studio album, 10,000 Days, in 2006, Tool fell completely silent on new releases from then onward. Even despite the band remaining contractually together, they remained quiet on new material. As the years went by, a new album from them became something of a musical equivalent to a Half-Life sequel: something that would never happen.

That is, until recently.

Earlier this year, it was announced across all social media platforms that the silence would come to an end; their new album was in the works. The months after became a Tool frenzy. Further developments built up even more hype.

Streaming finally became available and album art and the release of the lead single followed suit. Soon enough the time had come—the silence was no more. Tool’s fifth studio effort, Fear Inoculum, had arrived.

With such immense shoes to fill, I had doubts that this group could truly live up to my expectations. To be perfectly honest, this is Tool’s least impressive album thus far. But given their usual standards, I would be remiss if I did not say that there are some fantastic things about it.

For starters, the most blatant elephant in the room is the tracklist: numerically, it is the shortest in their career, yet most of the tracks either border or surpass the ten minute mark. See, Tool are no strangers to long-winded songs, but they are usually reserved for pivotal spots in their tracklists (Third Eye and Wings for Marie being great past examples). With that in mind, it is easy to make the assumption that this was done so to make the album a grand statement.

Upon further inspection, however, this is not so much the case. The opening title track brings just about everything I expected out of a Tool record. From the soft-spoken intro with bongo drums, to the well-balanced production between every member’s instrumental work, to frontman Maynard James Keenan’s blissful yet firm vocals, nothing is out of place here. Best of all, the qualities of this track are blended together in such a way that it makes for a consistently engaging listen. It is a ten minute track that feels nearly half its length.

But in another breath, I do find it somewhat disappointing that Tool doesn’t go too far out of their comfort zone. Slightly worse than that is how the relatively safe songwriting comes at the cost of this track’s memorability, which is something that Tool is normally excellent at incorporating into their progressive metal forte.

Despite these hindrances, I suppose they do not drag down this record’s overall quality that much. In retrospect, two of their most celebrated works Lateralus and the aforementioned 10,000 Days do share a considerable amount of similarity in production and group dynamic, but both still maintain enough nuance to keep themselves unique—such as Lateralus’ tracklist structure being based on the Fibonacci Sequence.

Looking at their progression through that lens, I can tolerate the seemingly meat-and-potatoes approach that this album takes in comparison to its predecessors. Having said all that, I curiously find that nearly every pro and con that I observed on the opener applies to the majority of the tracklist.

Tracks like “Pneuma,” and “Invincible,” despite being decent and enjoyable tracks on their own, do not really lend themselves all that well to inclusion on the album. Even with their compositional difference, they are grounds that this band has tread several times over.

Also, it does not help that the brief, albeit over-abundant interludes on the digital version of this record waste potential room for more decency. Even when there are somewhat memorable moments occasionally (such as Danny Carey’s slick drum soloing on the absurdly-titled “Chocolate Chip Trip), I cannot help but feel that these interludes tainted so much of my enjoyment of the rest of what is offered.

Least of all, without these filler tracks, the album still runs at about 80 minutes in length; they make the experience even more bloated than it already is.

Still, even with the shortcomings, this is not to say that there is nothing of substance here—most of it is practically the opposite. The seventh track “Culling Voices,” serves as one of the more subdued and meditative moments on the album and still manages to stay interesting for its length. The fourth track “Descending,” despite seeming like another standard track, brings about some of Maynards best vocal performances on the record.

Then there is the final track (not including the interludes), “7empest.” This track is essentially the kind which everyone familiar with previous material wants to hear. It is the longest at fifteen minutes, and not a second is wasted. You name it: infectious riffs, Carrey’s fiery drumming, aggressive vocals, compositional finesse—this track has it all.

To sum up, Fear Inoculum manages to keep the discography of Tool nearly uncontested by their contemporaries. For the amount of flaws it has, that is not to speak of the tremendous qualities it has. Sure, gone are the days of more iconic tracks like “Forty Six & 2” and “Schism”, but at the very least, I can be grateful that it is still a solid release.

This record plays like a love-letter, and fans such as I are certainly receiving it as one.


Following Highlander Band: Band scurries through Cardinal Stadium

Photo by Sophia Perigo 

Story by Gracie Vanover

As the mid-day sun floats above the Cardinal Stadium the band prepares their skyscraper and subway props. The band warms up and positions themselves to their dot ready to start a new day in the big city.

This weekend, The Highlanders traveled just across the bridge to perform for the Bands of America [BOA] Louisville Regional. The band placed 9 in their class and 17 out of 28 bands, but many were not disappointed. 

“Even though we didn’t make finals, I still feel like it was [a] great performance. Going into BOA I was definitely feeling a little nervous since we hadn’t got to spin equipment that morning for the run through and only really got to do opening dance full out,” said junior guard member Arianna Lamb. “But, once we got through warmup and were walking to the performance gate I could tell it was going to be a good show just by all the positive energy the band was putting off going into the performance.”

With the competition being smaller than normal at BOA many held their heads high 

with hope.

“I felt like we had more hope in making it into finals,” said sophomore pit member Allison Farber.  “But I do miss the bigger competition because I [would have] felt better about not making it in.”

Although their competition seemed easier, the show had many working parts added during after school rehearsals which proved to be a challenge for some.

“I love the preshow. While it is a cliché song, I think it is good to have it as the opening of the show because it symbolizes the morning,” said senior baritone player Lindy Lawerence. “[Percussion staff member] Dave Isaacs did a great job at making it and the transition to the loud alarm that wakes the band and the audience up. The tarps are good too. They add more theming to the show. They have worked well so far for me, but I do know they have caused some people to trip during the few times we have used them. I since they aren’t taped to the ground, I worry that they may cause problems during a show if there is wind.”

While the band attends competitions every weekend, BOA is quite different from the usual two-hour drive to regular invitationals.

“BOA competitions are some of my favorite competitions because they’re not anything 

like a regular competition is. With BOA competitions you get to see bands from all around the United States instead of just seeing our typical competitors that are from Kentucky and Indiana,” said Lamb. 

This weekend the band will be hosting the 

29th annual Floyd Central Invitational. Tickets are $5 for students and $7 for adults at the gate. Shows will begin at 3  p.m. Be sure to come out to support the Highlander Band as they perform in exhibition. To find the schedule for the band go to their website: 


Q&A With Assistant Principal Joe Voelker

The Bagpiper: What is the exact dress code?

Joe Voelker: “I think we’re pretty much a jeans-and-t-shirt type of school. Dress needs to not be a distraction. That’s really what it is; it needs to not be a distraction to others, which is very loosely defined, kind of intentionally. But, basically your clothes need to fit and fit properly. Even if they don’t, we need to see how we can help you with that to make your clothes fit. Your shirt should be down to your belt. We don’t make kids tuck them in, but they should be down to the belt. You shouldn’t have a crop top, or something like that. As far as straps go, it needs to cover you up on top. That’s sort of where it is. Dr. Willman, Mrs. Johnson, Mr. Cerqueira, and [I], we don’t really go around hunting down a lot of dress code things. We do have [problems] that we see, or they come to us, and that we deal with.”

BP: How would you define “muscle shirts” and “bro tanks?” 

JV: “Just, boys shouldn’t be wearing a tank top.”

BP: Why are boys not allowed to wear tank tops when girls are?

JV: “Well, the mentality is, in a workplace, a female can get by with a sleeveless type of dress or top. Generally, you don’t go into an office and see guys with a bro tank on, so, that’s the mentality behind that. If you go work in an office, you don’t see guys with a tank top on. But, you may see women with a sleeveless thing on, and that’s where that came from.”

BP: In such a big school, it can be hard to get to everyone who is breaking the dress code, and as you said, you don’t go around looking for it. How do administrators handle the entire school population without it seeming like they’re picking and choosing?

JV: “Generally, if it’s brought to my attention—sometimes I do see it in the hallway, and if I do, I address it. Sometimes a teacher will email either me or a counselor or Mrs. Shaffer.”

BP: Is there anything else that readers need to know about the dress code?

JV: “I think if you have a question about something, just come talk to us. Styles right now are a little better than they were ten years ago. The issue with styles right now are the crop tops on girls, they don’t [go all the way down] and cover the belt. That’s something to cover up. But, we used to have styles where shorts were very, very short for both boys and girls. Now guys got into the longer shorts, now they’re kind of going back up again. For a period, guys always had shorts to their knees, and now they’ve kind of gone up a little bit. About ten years ago, [there was] that, and in-style tops were very, very tight fitting and could lead to being inappropriate. Right now, styles, people don’t wear that kind of thing.”